这套系列作品源于战国楚人屈原之政治抒情诗《离骚》。 诗作中表现的时政日非，群小诡獗的黑暗现实。 抒发了作者誓不与邪恶同流合污的美好政治理想，以及对民苦的痛疾。 我将诗作中“香草美人”浑然美好的起兴诉诸视觉的图像，但加之以隐性的暴力伤害。 在另一层面，借以表达对世俗商业价值观念，即一切以利益为转移的价值体系的弄嘲。 The idea of this series of photographic works comes from the Warring States period Chu Kingdom’s political lyric poem of Qu Yuan's “Sorrow at Parting”, which expresses indignation at contemporary reality’s dark and underhand tyrrany. This poem expresses the writer’s refusal to take part in the sinister mire of “beautiful” political thinking, as well as facing the people’s bitter pain and sickness. I take from the poem the idea of an honorable person’s feelings of confused beauty appealing through visual image, but add an implicit feeling of violent injury. On another level the works ridicule the distractions of profane commercial values.